Irrellephant
18 | Canada | INTP
I reblog art, design things, photography, fashion and lots of other stuff

mostly MCU and American Horror Story, The Walking Dead, Supernatural, Game of Thrones, Hannibal
and other miscellaneous tv & film
End of the Line (piano excerpt)
Henry Jackman

starkdust:

That piano music from CA:TWS that people keep asking about. Taken from track 17 on the soundtrack, “End of the Line”.

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somnorum:

Google Doodle celebrating Earth Day (22 April 2014).

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"Originally, the movie opened with a World War II sequence," Feige says. "It was in the script early on and we boarded and did some concept art for it to try and remind the audience that he is from the past, reestablish Bucky as a character, and use that to transition into the world. Before production we were going through it, we realized the Smithsonian served that purpose, and the best thing for the movie would be just to throw the audience into the modern world with Cap. Then everything we needed to know about his experience in World War II we could get out of his discussions with Sam and Peggy and the Smithsonian trip, which is why the WWII sequence fell out of the film."

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luxhysteria:

Jupiter’s great red spot. A hurricane three times the size of our whole planet that’s been raging for centuries.
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Forgiveness.

The ability to forgive oneself. Stop here for a few breaths and think about this, because it is the key to making art and very possibly the key to finding any semblance of happiness in life. Every time I have set out to translate the book (or story, or hopelessly long essay) that exists in such brilliant detail on the big screen of my limbic system onto a piece of paper (which, let’s face it, was once a towering tree crowned with leaves and a home to birds), I grieve for my own lack of talent and intelligence. Every. Single. Time. Were I smarter, more gifted, I could pin down a closer facsimile of the wonders I see. I believe that, more than anything else, this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can’t write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.

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artandcetera:

Human Error

Victoria Siemer, also know as Witchoria, is a graphic designer hailing from Brooklyn, New York. Human Error is a series of nostalgic polaroids that depict the broken heart as a computerized error that may or may not be restored in a few mouseclicks. 

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In Britain, make-up might have been hard to find, but it was worn with pride and became a symbol of the will to win. ‘Put your best face forward,’ encouraged a 1942 Yadley advertisement in Churchillian tones. ‘War, Woman and Lipstick' ran a celebrated Tangee campaign. Bright red was the favourite wartime colur for lips and nails and lipstick names were often patriotic: Louis Phillippe's Patriotic Red; Fighting Red by Tussy and Grenadier - The new Military red created by Tattoo, effective with air force blue and khaki.

During wartime, a subtle change had taken place in the marketing and the perception of make-up. It was no longer about making a woman seem ‘dainty’, but making her look and feel strong. Rosie the Riveter became a wartime icon in the USA, representing the six million women working in factories for the war effort. [Rockwell] portrayed Rosie as a vast figure in work dungarees, her short sleeves revealing arms the size of prize-winning hams. Behind her hangs the stars and stripes, squashed carelessly under her feet is a copy of Adolf Hitler’s Mein Kampf, and on her mighty lap rests a lunch box and a huge riveting machine like an enormous gun. [Her] henna red curls, lipsticked mouth and painted finger nails stress her femininity, emphasising the fact that make-up too was a weapon of war [Madeleine Marsh, Compact and Cosmetics: Beauty from the Victorian Times to the Present Day]

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joeymasonart:

Winter Soldier Poster!

joeymasonart:

Winter Soldier Poster!

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